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Also
check out my Enhanced Versions of LRO Apollo Photos web page!
Introduction
I am just beginning to whip this web page
together. Eventually I hope to create a complete web site for all of the Apollo
mission photos. Below are my processed versions of the original ISD images
available from NASA's Image Science and Analysis Laboratory. The original
unprocessed (raw) film scans may be obtained from Image Science and Analysis
Laboratory, NASA-Johnson Space Center and more specifically from their
search page titled
The Gateway to
Astronaut Photography of Earth. Simply select the appropriate Apollo
mission (AS11 for example) and then the film roll number. To search for roll
40, put "AS11-40-*" (without quotes) in the right search field. I use the ISD
scans since the scans reach deep down into the film grain of the original
negatives and since ISD didn't perform any color corrections or other
alterations. In other words, the ISD scans are the straight "raw" output from
the film scanner.
Below are my processed versions of some of the
Apollo mission photos. I spent a lot of time creating custom gamma and color
correction curves in order to compensate for the original film's aging, for
color temperature error in the scanner which NASA used to scan the original
films, and to compensate for the somewhat nonlinear response of the original
film's differently colored emulsion layers. I created color correction curves
relative to the green film layer for two reasons. First is that the scanner
slowly accumulates a weak red undertone as it scans. This is caused by the
scanner not fully flushing its CCD sensor as it scans. In other words, the
scanner's scan speed is too fast in order to fully flush the CCD sensor. The
second reason for color balancing relative to the green layer is that the blue
layer tends to have the least linear response.
I did not attempt to correct for distortion
within the scanner optics which NASA's ISD chose to use. Hopefully I have the
color correction for each roll of film fairly close to spot on. Interestingly,
I have to create custom color correction profiles for each roll of film. Why?
Because each roll of film was individually developed, contact negatives were
then made of the original films, those contact negatives of course were
separately developed, and then those contact negatives were scanned by ISD.
Thus there are a lot of points at which color shifts could and did occur.
Finally, in general I did not attempt to correct for the Zeiss 60mm Biogon's
inherent vignetting (light fall-off). If I did correct for this inherent light
fall-off, then I specifically mention this. Here is a link for the Biogon lens
specifications.
The Carl Zeiss 60mm Biogon lens was considered
to be extremely sharp for its day. Before the 1980's, camera lenses were
considered to be very sharp if they produced greater than 80% contrast at 20
lines per millimeter. The very best modern camera lenses can yield 80% contrast
at 60 lines per millimeter. Page 2 has a chart which shows the Biogon's
inherent light fall-off af F/5.6 and F/8:
Biogon F/5.6 60mm page 1 Biogon F/5.6 60mm page 2
You will also note that the file names for each
photo reflect the basic image processing steps I took to create each photo.
Note that any "stars" which you see in the photos, as far as I can tell, are
either pinholes in the emulsions of either the original film or contact
negatives, or are strong cosmic ray strikes onto the original undeveloped
film.
NOTES:
Clicking on any of the photos generally will open a very high resolution
version of the photo in a new browser window or browser tab. Clicking on the
underlined link to the right of a photo will open a medium resolution version
of the photo which is more suitable for those with slow Internet
connections.
Copyright
Information: All photos are copyright NASA even though my processed photos are
my own derived works of art based on NASA ISD's scans of the raw film
emulsions.
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Apollo 11 Film Roll 36 Images
(AS11-36-*)
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Photo 5390 Aldrin in LM while on the way to the
moon. |
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Photo 5390 My specially enhanced version of the left
photo. |
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Apollo 11 Film Roll 40 Images
(AS11-40-*)
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Photo 5862 Aldrin working his way through the LM
hatch to start his EVA and become the second person to set foot on the moon.
Photo has been color balanced. Armstrong likely was not standing fully bathed
in sunlight since all shadows in this photo are extremely dark. This indicates
that all LM shadow illumination strictly comes from the surrounding lunar
surface which was not in the LM's shadow. The strongly gamma enhanced version
of this photo, below, visually confirms this.
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Photo 5862 My strongly enhanced version of the above
photo, showing details of the front of the LM, porch, ladder and MESA area.
Note that what appears to be the flag in the right LM window is not the planted
flag on lunar soil. First, the slant of the window is way too steep for the
window to reflect anything off of the lunar surface. Second, the "flag pole"
really is the angle verniers placed on the inside of the window. Third, the
"flag" itself is the HUD viewfinder which is clearly visible in photo 5930
above.
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Photo 5863 Aldrin managing to actually get through
the LM hatch and onto the porch. Photo has been color balanced. It is obvious
that Armstrong is standing further to the right of the west LM landing strut
compared to the above photo. It is important to note that Armstrong, standing
in this fully sun exposed position, had his white space suit bathed in full
sunlight. Thus his space suit acted as a diffuse reflector which provided some
"fill light" which helped to illuminate the shadowed areas of the LM.
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Photo 5863 My enhanced version of the above photo.
The white round thing to the left of the window is the LM's docking lamp. In
this photo Armstrong has backed away from the LM enough such that the LM's
window really is reflecting the distant lunar surface. The reason for the blue
surface reflection likely is that blue light reflects more strongly off of
glass when striking glass at an angle.
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Photo 5864 Photo of the blast crater underneath the
Apollo 11 LM descent stage. Photo has been color corrected, sharpened, film
grain noise removed, and had the brightness levels adjusted to render the upper
left corner space background nearly black.
Armstrong must have been getting a bit
impatient for Aldrin to wriggle through the LM hatch and get ready to descend
the LM's ladder, so Armstrong passed the time by snapping this and the
following photo before returning his attention to Aldrin. |
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Photo 5865 Raw, color corrected image, looking east,
of terrain under and southwest of the LM. Looking at the curvatures of the -Y
strut and probe, one can see that a shallow blast crater is present underneath
the LM descent stage. Note that some, but definitely not all, of this blast
crater underneath the LM probably is due to the inherent terrain which was
present at the Apollo 11 landing site.
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Photo 5866 Aldrin stepping down onto the top of the
ladder. Photo has been color balanced.
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Photo 5866 Same as above photo, but here I have
boosted the gamma in order to create an aesthetically pleasing version of the
original photo. No, that is not a shadow being cast onto the LM airlock door
(see further below). As you can see, the only light sources illuminating the LM
and Aldrin are reflections from the surrounding lunar surface and from
Armstrong's bright white space suit since Armstrong was standing in full
sunlight when this photo and the previous photo was taken.
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Photo 5866 This photo version was strongly gamma
corrected in order to show additional details within shadow areas in the
original photo.
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Photo
5866 LM Hatch Close-Up Here you can clearly see that the right half
of the hatch door has a lighter colored panel. One conspiracy fanatic claims
that Aldrin is casting a shadow onto the left half of the hatch and that this
"shadow" is proof of a secondary light source such as a prop or fill light
located behind Aldrin. Well...
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Photo 6642 LM Hatch
Close-Up View Guess what? The hatch panel really does have
distinctly different colored left and right halves, as seen in this LM hatch
close-up view of the Eagle in lunar orbit.
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Photo 5867 My enhanced version of the above photo. I
adjusted the exposure value so that the photo no longer appears to be
underexposed, removed image noise, and then sharpened the photo. I could have
boosted the gamma, as I did for image 5866 above, but instead I preferred to
show the correct brightness range between deep shadows on the LM, the rest of
the LM and Aldrin's space suit, and the lunar surface. It is obvious that
Aldrin is back illuminated by the lunar surface, and side illuminated by bright
reflections off of Armstrong's space suit since Armstrong was bathed in
sunlight when this photo was taken.
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Photo 5868 Aldrin descending the LM's ladder. Photo
has been color balanced, but no other image processing has been done. Yet this
photo is exposed at 2 EV brighter than the above two photos. Armstrong
apparently decided to quadruple the exposure time for this photo since the
depth of field for this and the above two photos appears to be the same.
Judging by the lack of depth of field, I would guess that Armstrong already had
the 60mm Biogon lens aperture set to its maximum F/5.6 aperture when this and
the above photos of Aldrin descending the LM were taken.
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Photo 5872 Aldrin setting up the solar wind
collector experiment. I applied a moderate hard light filter (to boost
contrast) in addition to color balancing this photo since the sun's glare had
somewhat fogged the photo, causing a general reduction in contrast throughout
the entire photo.
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Bluish colored rock
in above photo 5872 This rock, visible foreground left of Aldrin in
photo 5872, caught my attention since it has a distinctly bluish hue compared
to the surrounding lunar surface. I wonder if this particular rock was
collected by Armstrong and Aldrin during their brief EVA.
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Photo 5873 Portrait of Aldrin standing next to the
solar wind collector experiment. Photo has been color balanced.
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Photo 5873 Above photo, but with strong gamma
applied to bring out shadow details.
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Photo 5874 Aldrin posing next to the USA flag.
Conspiracy theorists claim that the flag pole has no shadow. Yet the shadow is
readily visible just a bit above the shadows of Aldrin's legs. Also examine my
enhanced version of this photo, below, to more clearly see the flag's shadow.
In the following photo you can even clearly see the flag pole's shadow just to
the right of the bottom of the flag pole.
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Photo 5874 My enhanced version of the above
photo.
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Photo 5875 Aldrin posing next to the USA flag, but
in this photo Aldrin has turned his head to look at Armstrong. Note that you
can clearly see Aldrin's face through his visor. I'm not sure, but it looks
like Aldrin is grinning from cheek to cheek. If I was standing in his shoes
then I would have been grinning like a maniac too. After all, what are the odds
of you and one other person being the first two people to set foot upon and
walk on the moon? Obviously the feelings experienced by Aldrin and Armstrong
were way better than winning the lottery.
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Photo 5875 My enhanced version of the above
photo.
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Photo 5877 This photo, along with photo 5903 below,
probably are the most recognizable photographs ever taken in human history.
Contrary to popular belief, this is not Armstrong's first step on the moon. It
was taken after Aldrin already was on the lunar surface. Neil photographed this
patch of lunar surface just before he took this photograph after making this
footprint. Obviously his intention was to show scientists how much the soil
compresses when stepped on. I wonder if Armstrong knew just how famous this
photograph would become when he took this photo.
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Photo 5882 This photo nicely shows the
Heiligenschein (German for "aureole" or "halo", literally "Holy shine") which
is an optical phenomenon that creates a bright spot around the shadow of the
viewer's head. It is created when the surface on which the shadow falls has
special optical characteristics. The special optical characteristics of the
lunar surface which produces this Heiligenschein phenomenon are created by the
very tiny glass beads within the lunar soil. These glass beads are created by
millions of years of micrometeorite impacts.
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Photo 5882 Above photo, but enhanced in order to
bring out terrain details. It is interesting to see that the entire lunar
surface is strewn with boulders. Also note that most of the large boulders tend
to have a bluish hue compared to the surrounding soil.
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Photo 5892 Enhanced version of above photo. Note the
missing lunar topsoil as well as the surface scarring underneath the LM's
descent engine.
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Photo 5895 View of the Eagle's +Z footpad. The
Eagle's +Z lander leg and footpad is famous since this is the leg and footpad
which Armstrong stepped off of in order to be the first human being to set foot
upon the moon's surface on July 20, 1969. This is ISD's raw image which only
has been color balanced. This photo is very dark since Armstrong forgot to
increase the exposure value (EV) by either opening up the aperture, increasing
the exposure time, or both. Judging by the very limited depth of field, it
appears that the 60mm Biogon lens already was set to its largest or maximum
aperture of F/5.6.
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Photo 5895 Above photo after applying strong gamma
correction and a noise filter. I thought that this enhanced version of the
above photo was worth including on this web page since perhaps some of the
Grumman engineers are still alive and will recall wrapping this very lander
strut and footpad with the multiple layers of insulating Mylar foil.
The noise filter blurs extremely bright areas
when it is adjusted to remove noise from extremely dark areas. Aldrin can be
seen at the top of the photo standing next to the LM's MESA. Note that the
solar wind collector experiment already has been deployed by
Armstrong. |
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Photo 5899 The famous photo of the plaque attached
to the LM's landing gear. |
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Photo 5899 My enhanced version of left
photo. |
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Photo 5902 Buzz Aldrin on the moon, just after he
finished descending the LM ladder and stepping off the footpad. This photo has
been color balanced and has had vignetting removed. Note the LM descent
engine's blast trail which sweeps from left to right and just behind Aldrin in
this photo.
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The "Man On The Moon"
Photo 5903 Probably the most famous and most widely recognized
photograph ever taken.
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Photo 5903 (cropped, noise removed, color balanced, lens
vignetting removed) The famous "Man On The Moon" photo of Aldrin.
This is one photo where I removed the Biogon 60mm F/5.6 lens's inherent
vignetting in order to show that the lunar surface was evenly illuminated by
the sun. This photo is as close to a true view of what Armstrong saw, in terms
of color, brightness and contrast, when he photographed Aldrin.
Be sure to look closely at Aldrin's watch in
the full resolution photo version and note that the watch shows 11:14 PM CDT.
Aldrin had his watch set to Houston Texas CDT since this was the time used by
mission control. Thus photo 5903 was taken at 11:14 PM CDT on July 20, 1969, or
04:14 AM UT on July 21, 1969. NASA's Apollo Lunar Surface Journal says that the
photo was taken within 5 minutes of the time shown on Aldrin's watch.
The brighter patch behind Aldrin definitely
was caused by the LM's descent engine. See enhanced versions of photos 5902
above, 5963 and 5964 further below, which show the same bright descent engine
blast pattern.
In any event, technically this photo is
perfectly exposed since the brightest portions of Aldrin's suit just come close
to reaching fully saturation and since there still are extremely faint details
present in the deep shadow areas.
I am still working on calculating the
perspective distortion for photo 5903 since Armstrong tilted the Hasselblad
camera with its 60mm Biogon lens approximately 20 degrees down relative to the
horizon in order to take photo 5903. A lot of that tilt was due to the natural
"lean forward" stance position needed to counter the weight of the personal
life support system (PLSS) backpack. Armstrong also had the presence of mind to
rotate the camera clockwise since he figured that if he didn't, then the sun's
glare would be in the upper right of the frame and would completely wash out
the photo. He probably also figured on getting a fair amount of the extremely
bright gold colored Mylar covered landing pad and strut out of the photo as
well. Or perhaps Armstrong just got lucky when he took this photo!
Aldrin admits that Armstrong was a far better
photographer than he was. This likely is why the majority of the Apollo 11 EVA
photos were taken by Armstrong. Armstrong also had an uncanny knack for getting
the exposures right. In all of his photos the brightest whites in the scenes
come really close yet don't oversaturate the film. Apparently Armstrong took
his assignment really seriously when NASA told the astronauts to take the
camera equipment home with them and shoot tons of photos in order to gain
experience using the camera gear. |
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How high was the sun above the
horizon when photo 5903 was taken? At the Apollo 11 landing site on
July 21, 1969 at 04:14UT when this photo was taken, the sun was at an altitude
of approximately 14.75 degrees above the horizon. The screen shot at left is
from a program called Celestia. It is a view from the Apollo 11 landing site on
the lunar surface on July 21, 1969 at 04:14UT. |
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Photo 5903 with lognormal curves applied This version
of the above famous 5903 photo should dispel all Apollo hoax conspiracy claims
that a second light source was present in the photo. As you can clearly see,
the only illumination of Aldrin is the sun itself, the gold and bronze colored
Mylar covering the LM struts and descent stage, the moon surface itself, and
reflections off of Armstrong's white space suit. Not convinced? Examine the
close-up views of Aldrin's visor reflection, further below, to see all of the
bright objects which illuminated the shadow side of Aldrin's
spacesuit.
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Visor close-up from photo
5903 Here I have removed the visor's gold tint and rotated the view
to make the horizon horizontal. Note that the apparent visible phase of the
Earth is misleading since the Earth's reflection from near the edge of the
visor is greatly distorted by the spherically shaped visor. If you look closely
at the image, it appears that the Biogon lens has some slight inherent on-axis
astigmatism. This instead may have been caused by Armstrong not holding the
camera quite steady enough for the given the exposure time, or by Aldrin
slightly moving during the exposure.
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Mirrored, strongly enhanced and
labeled visor close-up from photo 5903 This particular image is
extremely important due to what image information is truly shown in the
reflection off of Aldrin's visor. This photo is mirrored compared to the above
photo in order to show what Aldrin saw through his visor.
First, note that the Earth is offset to the
right at a 13.9 degree angle relative to the camera and vertical. Second, this
image allows us to determine exactly where Aldrin was standing relative to the
LM, based on his position relative to the horizontally bent +Y pad landing
probe, based on the reflected perspective for the upper support struts for the
+Y main strut, and based on how much of the nearer upper -Z strut which is
visible and not occluded by the side of the LM descent stage.
I have drawn in burgundy colored lines from
the bases of various objects in order to establish the vanishing point for all
of the shadows. I also circled the flag's shadow in burgundy. It is obvious
that the ground upon which the LM was sitting sloped up towards the western
horizon since the vanishing point for the shadows is above the horizon. In
particular, also note where the shadow of the top of the LM and Dish antenna
hit the ground just to the right of Armstrong's elbow. The fact that the top of
the LM's shadow is foreshortened also indicates that the ground further west
from the LM progressively slopes up further away from the LM. Another
indication that the ground slopes up towards the west horizon is provided by
the length of Aldrin's shadow. Since the sun was at an altitude of 14.8 degrees
when this photo was taken, we can calculate that Aldrin's shadow should have
been nearly 25 feet long, assuming that the space suits were 6-1/2 feet tall.
Thus the end of Aldrin's shadow, if the ground surrounding the LM and under the
LM was level, should have fallen further back from the base of the solar wind
particle collector pole if the ground was perfectly level. |
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Photo 5903 (Aldrin's Visor View, distortion corrected)
My processed and distortion corrected view of the reflection in Aldrin's
visor in the above 5903 photo. I have mirrored this image left-to-right in
order to show what Aldrin saw from inside his visor when Armstrong shot the
famous 5903 "Man On The Moon" photo. Yes, that is indeed the Earth above and
somewhat to the right of Armstrong. You can also see that Armstrong had his
gold colored visor pulled down when he shot the famous 5903 photo of
Aldrin.
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So, just where was the Earth in
the moon's sky above Aldrin's head? Celestia gives us this answer.
The Earth was at an altitude of almost exactly 59 degrees above the western
lunar horizon on a bearing of 273 degrees along the western lunar horizon. The
real kicker is when you compare a close-up of Celestia's representation of the
Earth and its phase to the close-up of the Earth in photo 5924 further
below.
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Armstrong-Aldrin position angle
(bearing) at which 5903 was taken This is only a preliminary result
which assumes that the west lunar horizon, although elevated, is level. It
probably was not. In order to figure out the bearing, you have to mentally draw
a line from the camera on Armstrong's chest to its reflection off of Aldrin's
spherically shaped visor. You also have to realize that the exact point on the
surface of Aldrin's visor is the point on the visor which is closest to the
camera. Eventually I will create a CAD model to visually show this concept.
In any event, assuming that the west horizon
was level and based on the above measured position angle of the Earth in the
visor sky (an angle of 13.9 degrees), I zoomed out as far as I could in
Celestia and through several iterations of tweaking the direction along the
horizon at which I was looking, I found that a bearing of 248 degrees produces
the correct 13.9 degree offset for the Earth relative to the zenith. Thus
Aldrin was standing on a bearing, relative to Armstrong's position, of 68
degrees east relative to lunar north, and of course Armstrong was standing on a
bearing of 248 degrees relative to Aldrin. |
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Exact sun altitude and azimuth
when 5903 was taken As you can see, the sun was on a bearing of
approximately 88.87 degrees relative to lunar north. The sun's altitude was
approximately 14.78 degrees. Call the azimuth 89 degrees. 89 degrees minus 68
degrees is 21 degrees. Thus, assuming that the west lunar horizon was level,
photo 5903 was taken at a bearing of 21 degrees northward from the sun's
position in the sky above the eastern lunar horizon.
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Photo 5910 Photo taken from Panorama Station 3
looking towards the north-northeast. Panorama Station 3 was located north of
the LM roughly 17 meters away from the center of the LM.
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Photo 5910 Enhanced version of the above photo. Here
I adjusted curves in order to boost contrast throughout the scene. The blast
path as the LM skirted above the lunar surface is obvious in this photo,
assuming that this is what this bright swath really is. This bright swath also
has a different hue compared to the surrounding terrain. Keep in mind that the
LM windows and astronauts were facing west or away from the sun or towards the
left in this photo during the descent. Apparently Armstrong "kicked it to the
left" a bit in order to avoid the boulders in the distance? And then apparently
Armstrong during the final few seconds kicked the LM forward (west) a couple of
dozen feet in order to land in an area that he could clearly see was free of
boulders since he and Aldrin had no way of seeing anything either behind or
directly underneath the LM? Anyway, this is my hypothesis regarding the final
30 seconds of the LM descent profile. I wonder if Armstrong can confirm that he
"kicked it forward" by several feet just before surface contact, just to make
sure that he landed on a smooth spot that he could actually see through the LM
window.
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Photo 5915 The LM on the lunar surface. That Biogon
lens should have had some more tick marks for additional focus settings besides
near, medium and distant. Note that the foreground is sharp (best focus) yet
the LM itself is a bit soft (out of focus). The large shallow crater in the
foreground is the crater which Aldrin was standing in when Armstrong shot the
famous 5903 "Man On The Moon" photograph.
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Photo 5915 My enhanced version of the above
photo.
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Photo 5921 View of lunar surface underneath the LM's
descent engine. Yes, you can clearly see radial blast patterns created by the
descent engine. You will also note that the newly exposed lunar soil, exposed
by the engine blast, has a somewhat brownish color. See my following enhanced
photo for a better view of the blast patterns and the exposed soil hues. Keep
in mind that some, but nowhere close to all, of the exposed soil's reddish hue
is due to the actual color of the freshly exposed soil instead of being due to
the reddish gold colored aluminized Mylar protecting the underside of the LM's
descent stage.
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Photo 5924 Fully color corrected view of the back
side of the LM, looking up towards the Earth.
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Earth in photo 5924
This is the exact brightness and color of the Earth, as recorded in the above
photo, after only color correction was applied to the original film slide. Note
that you are seeing the Pacific Ocean and the continent of Australia at the 10
o'clock position. Japan is at the 1 o'clock position at the upper right, but it
appears that Japan was covered by clouds. Note that I increased the sharpness
and boosted the contrast in the larger linked image in order to make both the
cloud patterns and land masses more apparent.
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Celestia's representation of the
Earth from the Apollo 11 landing site on July 21, 1969 at 04:14UT
Pretty much an exact match, isn't it? Well, except for Celestia's simulated
cloud cover. This Celestia image of the Earth is on the Earth's bearing
relative to the Apollo 11 landing site, and of course looking up at the Earth
and greatly zoomed in. Using the Celestia image and the above close-up view of
the Earth taken from photo 5924, one can calculate exactly how much the camera
was tilted relative to horizontal when photo 5924 was taken.
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Earth in
photo 5924 Blurred and with a hue swatch added to the upper left.
This is interesting since the hue comes really close to matching the hue of the
Earth shown in my color and distortion corrected visor reflection photo,
above.
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Photo 5924 My enhanced version of photo 5924 further
above.
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Photo 5926 Enhanced version of the above photo.
Examine the full resolution version of this photo by clicking on the thumbnail
photo and note the patches of lunar dust atop the left half of the
footpad.
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Photo 5927 Aldrin removing equipment from the
MESA.
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Photo 5927 Enhanced version of the above photo,
clearly showing the astronaut foot paths.
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Photo 5931 Aldrin removing equipment from the
MESA.
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Photo 5931 Enhanced version of the above photo,
clearly showing the astronaut foot paths.
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Photo 5932 View to the right of photo 5931,
above.
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Photo 5932 Enhanced version of the above photo,
clearly showing the astronaut foot paths.
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Photo 5947 Aldrin setting up the seismology
experiment. Note the laser reflector experiment in the background which already
has been set up.
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Photo 5947 Enhanced version of the above photo,
clearly showing the astronaut foot paths.
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Photo 5948 Aldrin has finished setting up the
seismology experiment. The laser reflector experiment and the TV camera are
visible in the background behind the seismology experiment.
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Photo 5948 Enhanced version of the above photo,
clearly showing the astronaut foot paths.
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Photo 5961 Photo of the LM. View is towards the
west-northwest.
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Photo 5961 Same as above photo, but with special
gamma curves applied to make the astronaut foot paths much more obvious. Note
how the lunar soil tends to more strongly reflect sunlight back towards the
direction of the sun and with a distinctly bluish hue.
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Photo 5962 Photo of the LM. View is towards the
west-northwest. Armstrong was walking back towards the LM and snapped closer
view of the LM compared to photo 5961.
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Photo 5962 Same as above photo, but with special
gamma curves applied to make the astronaut foot paths much more obvious. Note
how the lunar soil tends to more strongly reflect sunlight back towards the
direction of the sun and with a distinctly bluish hue.
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Photo 5963 Color balanced. Aldrin preparing to
retrieve the solar wind experiment. |
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Photo 5963 Same as photo at left, but with lens
vignetting removed. |
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Photo 5963 Same as above right photo, but gamma
increased.
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Photo 5963 Same as 5963 photo with vignetting
removed, but with special gamma curves applied to bring out details in the
terrain.
The custom gamma curves make the LM decent
engine's bright blast trail quite obvious. Compare the blast trail to photo
5903 above. Remarkable, isn't it? Hoax believers claim that the blast trail
shown in 5903 is due to a spotlight. Yet here is the same blast trail, plain as
day, once this photo was enhanced to bring out details on the lunar
surface. |
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Photo 5964 Color balanced. Aldrin preparing to
retrieve the solar wind experiment. |
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Photo 5964 Same as photo at left, but with lens
vignetting removed. |
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Photo 5964 Same as above right photo, but gamma
increased.
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Photo 5964 Same as 5964 photo with vignetting
removed, but with special gamma curves applied to bring out details in the
terrain.
The LM decent engine's bright blast trail is
obvious. |
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Photo
5963 Antenna Close-up While the antenna appears to be located close
to the nearer side of this rear side view of the PLSS backpack, the antenna
really is located on the top left side of the PLSS backpack when the PLSS
backpack is viewed directly from behind. Read additional comments in the linked
high resolution photo.
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Photo
5964 Antenna Close-up Fabric at top of PLSS backpack completely
blocks a view of the antenna's base since the back of the PLSS backpack is
turned more towards the camera in this photo.
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Overlay of photos 5865, 5963 and 5964 I chose to
overlay photos 5963 and 5964 atop photo 5865 since photo 5865 is nicely
illuminated at the top of its frame. I aligned the photos using the each
photo's center reseau cross. As you can see, all of the other reseau crosses
line up as well. You can also see exactly where the top edge of the frame is
for photos 5963 and 5964 since the well lit top portion of photo 5865 clearly
shows the top edge of the frame.
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Apollo 11 Film Roll 44 Images
(AS11-44-*)
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Close-up of the "Eagle" from
picture 6598 This my cropped, color corrected and enhanced version
of photo 6598.
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Photo 6642 Above, but colors greatly enhanced to
accentuate the moon's hues.
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Apollo 15 Film Roll 87 Images
(AS15-87-*)
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Photo 11839 A nice photograph of the LM "Falcon"
resting on the moon. Note the pieces of metallized Mylar insulation both atop
the near footpad and resting on the surface to the right of the near footpad.
Also note the lunar rover and astronaut which is visible in the distance to the
left of the LM.
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Apollo 15 Film Roll 88 Images
(AS15-88-*)
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Photo 11865 Same as above right, but curves were
adjusted to accentuate brightness and hue differences in the terrain, showing
more terrain details than what the astronauts could see with their eyes. Note
the striking soil differences which are visible on the distant
mountain.
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Apollo 16 Film Roll 107 Images
(AS16-107-*)
Note: In general, the
Apollo 16 photographs were overexposed by up to 1 f-stop. The higher sun
illumination angle significantly increased the apparent brightness of the lunar
surface, resulting in obvious blue fogging of the films due to internal
reflections within the Zeiss 60mm Biogon lens. The general fogging and loss of
overall contrast is a result of the two flat optical surfaces on either side of
the aperture diaphragm within the lens. Those surfaces only had single layer
MgF2 coatings since reliable lens multi-coating technology was still nearly a
decade in the future.
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Photo 17441 Above, but color corrected, noise
removed, sharpened, and gamma correction applied. Denoising the image adds
faint swirl patterns to dark areas of the photo.
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Photo 17442 Above, but color corrected, noise
removed, sharpened, and gamma correction applied. Denoising the image adds
faint swirl patterns to dark areas of the photo.
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Photo 17446 Color balanced. |
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Photo 17446 Same as left, but contrast and curves
applied to better reproduce what the astronauts saw. |
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Photo 17446 Same as above right, but curves were
adjusted to accentuate brightness and hue differences in the terrain, showing
more terrain details than what the astronauts could see with their eyes. The
bright streaks are interesting and likely are caused by meteorites impacting
the surface at very shallow angles. Also note that the hilltops generally are
white. This perhaps suggests that meteorite impacts at the tops of the hills
throw debris down onto the sides of the hills. This seems plausible since the
lower sides of the hills generally are darker than either the hilltops or the
flat terrain.
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Apollo 16 Film Roll 117 Images
(AS16-117-*)
The astronauts unknowingly
photograph Venus in three consecutive photos!
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Photo 18817
Venus is circled in yellow in all three of
these photographs. You really do have to look at the full resolution photos (by
clicking on the thumbnail pictures) in order to see Venus inside the yellow
circles. Look at the direction of the lunar rover's wheel shadows in the last
photograph and you will realize that the sun was fairly high in the sky above
Venus. |
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Location
of Venus, Mars and the sun above the east horizon Celestia shows us
that Venus was quite low in the east sky below the sun throughout the time
period of the EVA.
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Celestia
close-up view of Venus and Mars above the east horizon Knowing the
true altitude of Venus (a bit over 2-1/2 degrees), one can deduce the ground
slope towards the east horizon in photo 18817, above, by using the 10mm spaced
reseau tick marks as your reference points and the knowledge that the Biogon
lens has a focal length of 61.1mm and virtually zero (well under 1%)
distortion.
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Apollo 16 Film Roll 118 Images
(AS16-118-*)
Photo of the LM
"Orion"
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Close-up of the LM Orion
A rotated crop of the above right photo which
nicely shows the LM "Orion". Special filters were applied to remove background
noise. Orion looks a little worse for wear and tear after returning from the
lunar surface. Note what appears to be bubbled and peeling paint on the sides
of the LM. |
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Apollo 17 Film Roll 140 Images
(AS17-140-*)
Our planet Earth once again
reflected in an astronaut's visor in three consecutive photos!
But I will just show the best of the three photos. Later I will add visor
close-ups from all three photos.
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Photo 21391 Raw image, color corrected, strong gamma
curves applied. You will clearly spot the earth in the visor.
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Photo 21391 Raw image, color corrected, but with
strongly shaped gamma curves applied in order to bring out the terrain details
as well as the subtle hues. Look closely to the right of the astronaut. You
will see two distinct ridge lines before the distant mountain range. Also note
the horizontal rippling along the near side of the distant mountain.
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Apollo 17 Film Roll 149 Images
(AS17-149-*)
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Photo 22857 Color balanced. A really nice view of
the the "Challenger" LM ascent stage.
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